Notational notes here. This is just a little progression, based on the difference between a Just and a Pythagorean major third, which then gets a little twist to push it up to the end.
Mrs Replica looks askance at her husband many evenings, and not for the usual reasons: he seems to spend an awful lot of time writing out fractions. She's used to his little ways, but even so.
It's a sobering experience, trying to work into a new and partly unfamiliar way of working. If I'd stuck to the old ways I could probably be rattling through churning out sketches for the next piece. As it is I'm slowly assembling fragments, trying to figure out what the sounds are called and how to tell the players, which is essentially what a notated score does. Moments of progress are interrupted by moments of realisation that I've got one tiny thing wrong and have to refashion everything as a result. You could see this as a pain in the arse, a lot of extra work and just making things difficult for myself. I prefer to think of the increased groundwork as a way of getting to know the DNA of the piece. These fractions after all represent the basic notes from which everything else will be built. The music's in there, it's just a matter of unearthing it.