Sunday, May 20, 2007
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Stuff about me
- petemaskreplica
- I live in London, write music and draw comics. My ambition is to find something I'm good at. petemaskreplicaatgmaildotcom
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Stuff to listen to
Stuff to read
- A Beautiful Revolution
- A Free Man in Preston
- Alex Ross
- An Unreliable Witness
- Bad Science
- Beat Girl Comics
- Behind the Sofa
- Big Dog's Kennel
- Boring Like a Drill
- D'Israeli
- Dave Gorman
- Day In Bed
- Detritus Review
- Diamond Geezer
- Down In Me
- Eddie Campbell
- Fugue State
- Garfield Minus Garfield
- Hacked Off
- Hooting Yard
- Hotel Fred
- Jim Woodring
- Kensington Symphony Orchestra
- Lost Property
- Lucia Chiara
- Magic Beans Comics
- Making It Up
- Natalie d'Arbeloff
- No Music Day
- Non-working Monkey
- Omnivistascope
- On An Overgrown Path
- Peter Nagle
- Piffle
- PostClassic
- Reasons To Be Cheerful
- Renewable Music
- Sequenza 21
- Soho the Dog
- Tales From the Back Desk
- The Londonist
- The Rambler
- Valium Sandwiches
- Vialka
Stuff about copyright
2 comments:
I do find these very lovely to look at. If I were a musician, I think I would paint such things onto canvas.
{maybe someone out there already does?}
I have a score of a piano piece by Stockhausen framed and hanging on my wall at home, it's a thing of great and arresting visual beauty.
I don't know if anyone paints scores as canvases, but there are scores which are made from pictures. And composers have used graphic notation for a long time - the "Storm" movement of Beethoven's Pastoral Symphony features sequences that look on the page like jagged daggers of lightning.
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